Iconic Pens

The theme for our Saturday, October 24, 2011 meeting was “Iconic Fountain Pens”.   

What makes an item, such as a pen, iconic?  When most of us hear the word “iconic” we think of people, places or things that are famous, well-known, widely-known, celebrated, renowned, fabled, legendary, notorious, infamous, illustrious,  or perhaps even “the one”.  At least, those are some of the words that come to mind when I think of something that is “iconic”.  

The theme for this week was for our members to share their thoughts on those fountain pens that were icons from their perspective as well as the reason(s) for their selections.  We asked them to think about whether it was a popular or well-known pen?  Was it something to do with the pen’s design or looks?  Maybe it revolutionized the look, function of pens or even how pens write?  Has it developed a bit of a cult following?  Perhaps it is not famous but infamous?  Is it inexpensive or does it cost a small fortune?  Was it made by one of the “iconic” brands or do you have trouble pronouncing or even remembering its brand?  

If you were to build a collection of pens based on an “iconic” theme, what would you consider to be the “must-have” pens?  These hypothetical exercises are great – there are no limits, e.g., you are not restricted to modern or vintage pens, etc.  You don’t have to own the pen, have ever owned the pen or even want to own the pen!  Heck, you don’t even have to have any money!  Although, I don’t want to suggest that a pen’s cost necessarily influences its status as an icon.  I can think of very expensive pens that I would not be surprised if many thought of them as an icon, or conversely, others thinking of one of any number of inexpensive (dare I say, “cheap”?) pens that could easily fit the bill, e.g., Lamy Safari. 

Enough of my dribble, here are several groups of pens (with photos) that different members of the LPC view as being iconic and why:

 

1. Sheaffer Balance. 1930s. The Balance began the tradition of streamlining the shape of pens with tapered caps and barrel ends, along with the use of plastics in colours not seen before. 

2. Parker Vacumatic.  1930s. Striped plastics, ink stored right in the barrel rather than a sac, and an “interesting” filling system – the Vac is still what I think of when I think of vintage pens. 

3.  Parker “51”.  1940’s. A hooded nib. “Writes Dry with Wet Ink” to quote the advertising of the day.  Introduced in 1939 and in production until 1972, the Parker “51” sold in the millions and is of the most successful fountain pens of all time. 

4.  Sheaffer Snorkel.  1950’s. The Sheaffer Triumph nib (also known as the wrap around nib or conical nib) was continued on the Snorkel filler.  One of the coolest and most complicated of the filling systems, the Snorkel was made in a multitude of colours and finishes. 

5.  Sheaffer Imperial/Lifetime.  1960’s. I don’t have a Sheaffer Pen For Men (PFM) so I am including my 1963 Lifetime with the famous inlaid nib.  The PFM introduced the now iconic inlaid nib that Sheaffer continues to use on their pens to this day.  The Imperial, Targa, Intrigue and Valor models all have the inlaid nib. 

6.  Parker 75 in Sterling Silver cisele pattern.  1960’s. A classy looking pen.  I am still waiting to see one on the TV series “Mad Men”. 

7.  Lamy Safari.  1980’s. The Safari was first introduced in 1980 and hasn’t changed in 30 years.  A great starter or school pen that is available in an array of colours and nib sizes.

 Another member’s group of “Iconic Pens”:
 
  1. Aurora 88.  An elegant Italian design that functions perfectly and has a hidden cache of ink, if needed.
  2. Sheaffer Targa.  Simplicity and variety.  One could spend a lifetime collecting these classic fountain pens with the inlaid nib.  Just check out one of the best pen sites on the internet – sheaffertarga.com
  3. Pilot/Namiki Vanishing Point.  Many people think this pen has a cult following but I disagree.  How many people do you know that own at least one Vanishing Point?  I would not be surprised if 3 out of 4 pen owners have one – that’s not a cult, that’s a club!
  4. Delta Dolce Vita.  Ah, the sweet life!  The first time I saw this pen I thought it was a bit much, I mean, who has the nerve to use a bright orange pen like this, especially a conservative business man like me.  It did not take too much longer before I owned one.  Actually, I have the double desk set as well!
  5. Conklin Crescent Filler.  Even non-pen people know this pen, it’s the one that Mark Twain uses – because it won’t roll off of a table.
  6. Lamy 2000.  A wonderful example of design and functionality. A simple design, the pen is made of black makrolon and is a piston filler, holding a ton of ink.  The flagship pen of LAMY.
  7. OMAS 360.  The non-conformist’s fountain pen because of its unconventional triangulated form.  It’s the type of pen that you either love or hate.  I happen to love it.  Unfortunately, OMAS screwed up its original design when it redesigned its line of pens.  If you want one of these, get the older “vintage” model.
  8. Pelikan M800 Souverän.   I loved this fountain pen from the very first time I saw its green striped barrel at Sleuth & Statesman in Toronto.  While I actually bought the black-blue model with silver trim first, I just had to have the original black-green model with gold trim.  In my mind, the green striped barrel makes it the quintessential fountain pen!
  9. Parker Duofold.  Not a big surprise that the Duofold is on this list, although most people would probably cite the vintage “Big Red” model.  Most people would put the Big Red as one of a dozen or so pens in a core collection of pens.  I like the blue ones myself, especially this remake of the “True Blue”.
  10. Waterman Edson.  A legendary and elegant pen.
  11. Conway Stewart #28 “Cracked Ice”.  Colourful plastics have been a signature of Conway Stewart.  The names of many of these colours, such as this one in Cracked Ice, have been adopted by collectors over the years. Other personal favourites include Reverse Cracked Ice and Tiger Eye.  Truth be told, my favourite models are #27 and #60 – I just grabbed the first Cracked Ice that I came across so please forgive my oversight!

 One more member’s quartet of Icons:
 
 

From top to bottom:

  1. Parker Vacumatic. Hey, it’s a Vacumatic, what more is there to say?
  2. Sheaffer Autograph.  The Autograph has a much wider cap band than the Sheaffer Signature and used to be one of their most expensive models.  It has the clip and the cap band made out of solid 14K gold. In fact, you could send the pen to Sheaffer along with your signature and they would engrave it on the cap band. This cap band has yet to be engraved.
  3. Esterbrook.  A classic double jewel J (full sized).
  4. Parker 51.  This aerometric filler with gold filled cap is Cocoa in colour, while not as rare as Nassau Green or Plum, is fairly uncommon.

A different view of the same quartet: 

 
And finally, the best part of every pen club meeting – writing with someone else’s iconic pen – in this case, a Parker 65 Flighter! 
 
 
Maybe you agree with these selections, maybe you have your own views.  We would love to hear from you!  Let us know what your iconic pen is and why?
 
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Classic Vintage Pens – Conklin Self- Filling Pen

I have been on a bit of a quest, if you would like, to round out my modern pen collection with examples of “classic” vintage pens, like the Parker 51 and the Big Red, etc…  Of course, no such collection would be complete without Mark Twain’s pen –  Conklin’s Self-Filling Pen or better known as the Crescent Filler (aka the one that won’t roll off your desk!).  You can read more about Conklin and Twain here.  The Crescent Filler was invented by Roy Conklin of Toledo, Ohio, USA around 1897 and was the world’s first practical self-filling pen.  In fact, the Crescent Filler was the top-selling self-filling pen on the market by 1913.

Just a brief aside about Mark Twain’ association with fountain pens.  Almost everyone knows about Twain and his love of Conklin fountain pens.  But have you ever seen this

http://www.twainquotes.com/FountainPens.html ?

Back to my new-to-me (vintage) pen.  Like my Crescent Filler, the early models had slip-caps and most are black hard rubber with a nice wave-like chasing pattern.  The chasing is worn somewhat on both ends of the barrel – from the capping of the pen and posting the cap.  

The particular model that I acquired from Pen And Co. is an S3 according to the trademark imprint near the top of the barrel.  The imprint in the bottom half of the barrel – which is relatively easy to read with the naked eye – reads “Conklin’s Self Filling Pen, Toledo, Ohio, USA” followed by the patent dates.  What I am having difficulty establishing is the origin and nature of the clip (which slides on and off the cap).  It appears to be made of nickel or similar metal and is stamped “Modern Pat’s 5 25 00/6 22 09” .  The nib is a #3. 

 The patent for the pen is here:  Conklin Patent for Self Filling Pen 

To fill a crescent-filler, the C-shaped hard rubber lock ring has to be turned so that its opening is under the crescent. You then press the crescent and flatten the ink sac. Put the nib in ink, release the crescent, and count to ten to allow the sac to fill.  Mine fills correctly.

 Below is a picture of my black beauty, taken by Jean Elie of Pen And Co.

Conklin Crescent Filler purchased from Penandco.com