Heavy Metal (Pens that is)!

Somewhere in an alternate universe, with the music of Black Sabbath, Iron Maiden and Metallica blasting in the background, the rebels of the London Pen & Motorcycle Club gathered at their Williams on Wonderland HQ to binge on coffee and show off their new ink, like this beauty that Doc showed up with (he’s not a real Doctor, that’s just a name he picked up somewhere):

From Fenix Tattoos in Seattle
From Fenix Tattoos in Seattle

Well, that’s not exactly what happened … we did binge on coffee and heavy metal, pens that is …if a pen sticks to a magnet, it meets the test!! Bring your flighters, filigrees, overlays, signets, silver, gold (more likely gold-filled), aluminum, titanium, gunmetal, shiny or matte and all combinations and permutations thereof. Some like their pens with a patina (you might say potana) and others like them looking brand spanking shiny new. They could be factory or farm fresh – maybe have a few scratches and dents or even some brassing, we won’t hold that against them. And don’t forget your pens that are part-metal, i.e., they might have a metal cap with a resin or other body; however, metal trim-only is not enough metal, sorry.

To wit, a great collection, in a large variety of makes, models and finishes – Sheaffer Targas and a significant number of Parker:

whole bunch more

Anyone for a Parker 75 – just pick your finish:

whack of 75s

Some Parkers, at least one Sheaffer (a Targa, I think) and a Pilot Birdie(?):

table shot

A Waterman 452 1/2V sterling silver filigree (pierced work) overlay and a bottle of Herbin Vert Olive:

small waterman w overlayA true classic, the Parker 75 Cisele:

parker 75

Another Parker 75, a Sheaffer Connoisseur and a Pilot Birdie:

P75 connoisseur and birdie

Quite a mixed bag here from L to R – a Montblanc Meisterstuck Sterling Silver Solitaire Le Grand 146, a Dani Trio Phantas aka the “snake pen”, a Sheaffer Imperial and an older model of the Visconti Travelling Inkwell:

MB146 and snake pen

A close-up of the Dani Trio Phantas (snake pen) …

IMG_1639

… and a close-up of the Sheaffer Imperial Brass engraving:

sheaffer imperial brassA couple of one-piece metal pens, i.e., an integrated nib, a titanium Parker 50 aka the “Falcon” and a Namiki-Pilot M90:
integrated nibs M90 and P50 falcon

Not sure this Stipula/Chatterley Pens Carbon Future Oversized Etruria LE qualifies but it is one sweet writer with that 1.1 mm stub nib!

IMG_1636

Remember these Cross pens – graduation presents, wedding gifts, they were ubiquitous:

cross cross cross

Can you say vermeil?  Rotring 600s, Sheaffer Targas and Imperials and a couple of Parkers:

IMG_1632

The old hidden compartment pen … how did that bottle of ink get in the picture?

hidden compartment pen

What – is this a remnant from the alternate universe, a Waterman Harley-Davidson:

Harley

A number of Parker Flighters with a couple of 75s for good measure:

flighters and 75s

We have some Sheaffers, a Lamy Studio and a blue Kaweco off to the side

bns

The pen in focus is an Aurora 80th Anniversary Limited Edition, a brilliant guilloche pattern cut in sterling silver while the pen slightly out of focus is a Conway Stewart “Drake” LE:aurora guilloche untitled

A side shot (above) and head-on shot (below) of the Aurora 80th anniversary LE, a Conway Stewart “Drake” LE (this is a massive pen, made from a solid rod of sterling silver, guilloche engraved in a classic wave pattern), a Conway Stewart J. Rake Demonstrator (based on their classic Duro design), a Parker 51 Special Edition (from 2002), a Parker 51 Flighter, a Visconti Spider, a Visconti Skeleton, a Waterman Carene Deluxe, a Waterman Exception Night and Day Gold, and of course, a Waterman Edson:

MAW2

What about you?  We always love to hear what you think of these Heavy Metal Pens as well as about your own Heavy Metal pens.  Do you have a particular favourite?  Surely you have at least one?

Demonstrator Pens – January 31/February 7, 2015 meeting

Demonstrator pens are clear or transparent pens that allow the user to view the internal components of the pen. They were originally given by pen manufacturers to dealers so that they could “demonstrate” to their customers how the pen worked, how the filler worked and how the cap fit on the pen. This was a great selling tool, particularly in the 1930s when it has been suggested that Parker and Sheaffer first created them and the then new and different filling systems (that are commonplace today) were first introduced.  Accordingly, the demonstrators were produced in limited number and not typically sold to the public, as the dealers needed them. Today, demonstrator pens are regular production pens, and in some cases, limited editions, owing to their popularity.

While the purists consider transparent versions of pens as the only true demonstrator, most people accept that the many translucent versions (typically in different colours) produced today also qualify as demonstrator pens.

A big thanks to official club photographer Rick for taking the pictures below (except for the black light picture)!

Great turnout to kick off the New Year!

great turnout

John with the TWSBI Vac 700 and bottle.  You can get 5 and one-half fills of a Vac 700 with the special TWSBI bottle.  The life skills you learn at a pen club meeting!

twsbit vac 700 and bottle

Doug and the Visconti Travelling Ink Pot, right before an “incident”.  Good thing he was demonstrating with water – only rookies use ink (and end up wearing it!).

visconti travelling inkpot

Most pen users have at least one Lamy in their collection – the first one pictured is a clear Lamy Vista with Noodler’s Blue Ghost highlighting ink under black light – very cool indeed!

lamy vista blue ghost

Here’s another Lamy Vista used for writing and filled with Parker Washable Blue – of course, it would have been a better picture if all that graph paper had a sample of how the ink writes, doh!

lamy vista parker blue

Now you can’t come to a pen club meeting and not get ink on your hands; but really Doug, that’s it?  Let’s see a bit more effort the next time!

you gotta have inky fingers

Someone likes demonstrators – and this doesn’t include any of his translucent pens, except for the blue Pelikan 205.  This group includes, from left to right: a Pelikan M800 (limited production), an Aurora Optima LE (available in an edition of 1936 corresponding to the year it was introduced/the red auroloide on the cap and blind cap really pop!), an Omas Ogiva guilloche model, a Stipula Etruria Nuda (from the now defunct Swisher Pens), a Visconti Voyager LE (the swirling black markings on the barrel really stand out when the pen is filled), a Pilot Custom 823 (also comes in smoke and amber, and it holds a ton of ink), a Delta Fusion 82 (this came in a great fountain pen/rollerball gift set),  a clear Pelikan 205 (an early Levenger model) and a blue Pelikan 205 (just one of several colours it comes in).

which one is yours

Here is a neat close-up of the Pelikan 800 – all the parts are labelled with laser markings and you can clearly see the large ink reservoir and Pelikan’s piston-filling system at work:

pelikan 800 with labels

Still more demos -I think the red swirled cap one is a Recife, then another Stipula Etruria Nuda (the Etrurias are wonderful pens, whatever the flavour) and TWSBI Vac 700:

more demos

and a few more – TWSBI Diamond 530, a Visconti Travelling Ink Pot, a Noodler’s rollerball and a blue Pelikan 205 (and a bottle of Fountain Pen Hospital’s exclusive Noodler’s Henry Hudson Blue ink lurking in the background).

more and more

Another week and another rogue’s gallery – I put this at the end on the assumption that most people have tired of reading my post, so would never get this far!  Just kidding, you handsome devils! 8~)

rogues gallery

Iconic Pens

The theme for our Saturday, October 24, 2011 meeting was “Iconic Fountain Pens”.   

What makes an item, such as a pen, iconic?  When most of us hear the word “iconic” we think of people, places or things that are famous, well-known, widely-known, celebrated, renowned, fabled, legendary, notorious, infamous, illustrious,  or perhaps even “the one”.  At least, those are some of the words that come to mind when I think of something that is “iconic”.  

The theme for this week was for our members to share their thoughts on those fountain pens that were icons from their perspective as well as the reason(s) for their selections.  We asked them to think about whether it was a popular or well-known pen?  Was it something to do with the pen’s design or looks?  Maybe it revolutionized the look, function of pens or even how pens write?  Has it developed a bit of a cult following?  Perhaps it is not famous but infamous?  Is it inexpensive or does it cost a small fortune?  Was it made by one of the “iconic” brands or do you have trouble pronouncing or even remembering its brand?  

If you were to build a collection of pens based on an “iconic” theme, what would you consider to be the “must-have” pens?  These hypothetical exercises are great – there are no limits, e.g., you are not restricted to modern or vintage pens, etc.  You don’t have to own the pen, have ever owned the pen or even want to own the pen!  Heck, you don’t even have to have any money!  Although, I don’t want to suggest that a pen’s cost necessarily influences its status as an icon.  I can think of very expensive pens that I would not be surprised if many thought of them as an icon, or conversely, others thinking of one of any number of inexpensive (dare I say, “cheap”?) pens that could easily fit the bill, e.g., Lamy Safari. 

Enough of my dribble, here are several groups of pens (with photos) that different members of the LPC view as being iconic and why:

 

1. Sheaffer Balance. 1930s. The Balance began the tradition of streamlining the shape of pens with tapered caps and barrel ends, along with the use of plastics in colours not seen before. 

2. Parker Vacumatic.  1930s. Striped plastics, ink stored right in the barrel rather than a sac, and an “interesting” filling system – the Vac is still what I think of when I think of vintage pens. 

3.  Parker “51”.  1940’s. A hooded nib. “Writes Dry with Wet Ink” to quote the advertising of the day.  Introduced in 1939 and in production until 1972, the Parker “51” sold in the millions and is of the most successful fountain pens of all time. 

4.  Sheaffer Snorkel.  1950’s. The Sheaffer Triumph nib (also known as the wrap around nib or conical nib) was continued on the Snorkel filler.  One of the coolest and most complicated of the filling systems, the Snorkel was made in a multitude of colours and finishes. 

5.  Sheaffer Imperial/Lifetime.  1960’s. I don’t have a Sheaffer Pen For Men (PFM) so I am including my 1963 Lifetime with the famous inlaid nib.  The PFM introduced the now iconic inlaid nib that Sheaffer continues to use on their pens to this day.  The Imperial, Targa, Intrigue and Valor models all have the inlaid nib. 

6.  Parker 75 in Sterling Silver cisele pattern.  1960’s. A classy looking pen.  I am still waiting to see one on the TV series “Mad Men”. 

7.  Lamy Safari.  1980’s. The Safari was first introduced in 1980 and hasn’t changed in 30 years.  A great starter or school pen that is available in an array of colours and nib sizes.

 Another member’s group of “Iconic Pens”:
 
  1. Aurora 88.  An elegant Italian design that functions perfectly and has a hidden cache of ink, if needed.
  2. Sheaffer Targa.  Simplicity and variety.  One could spend a lifetime collecting these classic fountain pens with the inlaid nib.  Just check out one of the best pen sites on the internet – sheaffertarga.com
  3. Pilot/Namiki Vanishing Point.  Many people think this pen has a cult following but I disagree.  How many people do you know that own at least one Vanishing Point?  I would not be surprised if 3 out of 4 pen owners have one – that’s not a cult, that’s a club!
  4. Delta Dolce Vita.  Ah, the sweet life!  The first time I saw this pen I thought it was a bit much, I mean, who has the nerve to use a bright orange pen like this, especially a conservative business man like me.  It did not take too much longer before I owned one.  Actually, I have the double desk set as well!
  5. Conklin Crescent Filler.  Even non-pen people know this pen, it’s the one that Mark Twain uses – because it won’t roll off of a table.
  6. Lamy 2000.  A wonderful example of design and functionality. A simple design, the pen is made of black makrolon and is a piston filler, holding a ton of ink.  The flagship pen of LAMY.
  7. OMAS 360.  The non-conformist’s fountain pen because of its unconventional triangulated form.  It’s the type of pen that you either love or hate.  I happen to love it.  Unfortunately, OMAS screwed up its original design when it redesigned its line of pens.  If you want one of these, get the older “vintage” model.
  8. Pelikan M800 Souverän.   I loved this fountain pen from the very first time I saw its green striped barrel at Sleuth & Statesman in Toronto.  While I actually bought the black-blue model with silver trim first, I just had to have the original black-green model with gold trim.  In my mind, the green striped barrel makes it the quintessential fountain pen!
  9. Parker Duofold.  Not a big surprise that the Duofold is on this list, although most people would probably cite the vintage “Big Red” model.  Most people would put the Big Red as one of a dozen or so pens in a core collection of pens.  I like the blue ones myself, especially this remake of the “True Blue”.
  10. Waterman Edson.  A legendary and elegant pen.
  11. Conway Stewart #28 “Cracked Ice”.  Colourful plastics have been a signature of Conway Stewart.  The names of many of these colours, such as this one in Cracked Ice, have been adopted by collectors over the years. Other personal favourites include Reverse Cracked Ice and Tiger Eye.  Truth be told, my favourite models are #27 and #60 – I just grabbed the first Cracked Ice that I came across so please forgive my oversight!

 One more member’s quartet of Icons:
 
 

From top to bottom:

  1. Parker Vacumatic. Hey, it’s a Vacumatic, what more is there to say?
  2. Sheaffer Autograph.  The Autograph has a much wider cap band than the Sheaffer Signature and used to be one of their most expensive models.  It has the clip and the cap band made out of solid 14K gold. In fact, you could send the pen to Sheaffer along with your signature and they would engrave it on the cap band. This cap band has yet to be engraved.
  3. Esterbrook.  A classic double jewel J (full sized).
  4. Parker 51.  This aerometric filler with gold filled cap is Cocoa in colour, while not as rare as Nassau Green or Plum, is fairly uncommon.

A different view of the same quartet: 

 
And finally, the best part of every pen club meeting – writing with someone else’s iconic pen – in this case, a Parker 65 Flighter! 
 
 
Maybe you agree with these selections, maybe you have your own views.  We would love to hear from you!  Let us know what your iconic pen is and why?
 

Fooling around with ink and paper

I recently received a truckload of ink from our friends at Swisher Pens.  I also decided to buy a few pads of the Staples Bagasse paper – made from sugarcane – which seems to be the rage on pen-related discussion boards.

One of the things that I had noticed was the significant drying time for ink used on the Bagasse paper – it just seemed to stay wet forever (imho).  So with Rick ready with his Timex, we compared two inks (Noodler’s Dark Matter and Private Reserve Fast Dry Midnight Blues) on Staples bagasse paper and Rhodia graph paper (from a notebook).  You can see that the Dark Matter took quite a bit longer to dry on the bagasse paper – over 1 minute – compared to just over 15 seconds on the Rhodia paper.  Interestingly, the Fast Dry Midnight Blues lived up to its billing – it dried very quickly on the bagasse paper – less than 15 seconds – and almost immediately on the Rhodia paper.  I should also note that the PR Fast Dry ink was laid down on the paper with a Sheaffer’s Legacy medium nib that has flow like a firehose so we were most impressed with the fast dry qualities of this ink – it was really quite amazing!

ink and paper drying tests July 2009_extra

ink and paper drying tests July 20094

ink and paper drying tests July 20091

One of the other items that has come up for discussion is the apparent difference in the colour of Pilot blue ink – from the bottle and in their V pens.  The proof is in the pudding – as you can see below, the Pilot blue bottled ink appears to be much lighter in comparison to that used in the V pens. 

ink and paper drying tests July 20092

Finally, I was asked to do a comparison of light blue/turquoise coloured inks for someone on the FPN – here are some of the main brands and the colours on Staples bagasse paper.  I tried to use a blotter on the Dark Matter ink used to label the various blues – you can see that there is a faint line running down the right hand side of the page (yet more proof of the slow drying time of this paper!).

ink and paper drying tests July 20093

Not Your Typical Green Ink

While my favourite colour of ink is blue, hands-down, I also like certain green inks.  Specifically, I tend toward the blue-green (or green-blue, if you prefer) and darker shades,e.g., evergreen.  For the most part, my preferred green ink has been Conway Stewart CS Green aka Signature Green (why Conway Stewart named their two green inks – Conway Stewart Green (an emerald green colour) and Conway Stewart CS Green (the darker shade that I prefer) is beyond me; I don’t know how many times I have ordered the latter and received the former!).

A few other (relatively new, I think) green inks have attracted my attention – Pilot Iroshizuku “syo-ro”  and De Atramentis “Petrol”.  Both of these inks are difficult to source – the Pilot Iroshizuku line of inks can only be purchased through Japanese suppliers, e.g., eBay sellers such as engeika or ujuku123, while the De Atramentis (DA) inks are even more difficult to find.  They can be purchased directly from Germany or if you are lucky, you might be able to find a local supplier.  Because I am in Canada, I buy my DA ink from Laywine’s in Toronto.  FYI, I know that Laywine’s just received a large order of DA ink, so if you want some, now would be a good time to call or email them.

I have inserted a scan of these three inks below – the paper used for this purpose is Behance Dot Grid book paper which is an 80 lb. premium blend.  To me, the syo-ro appears to have a bit more blue while the CS green is certainly the deepest green.  I am quite fascinated by the Petrol; in hindsight, I wish I would have added some Rohrer & Klingner Verdigris ink for comparison purposes.

All of the inks performed very nicely – nice flow and quick to dry.  The CS Green was the only ink to bleed through and most of the writing with it could be detected on the other side of the page.

not-your-typical-green-inks-front